About
Living in close proximity to Tasmania’s wilderness, I find endless inspiration in the patterns and textures of the natural world. I’m fascinated by how similar forms and shapes emerge across different life forms, reflecting the convergent patterns of evolution and the interconnectedness of all living things.
As a metalsmith, I am drawn to traditional techniques that allow me to explore the materiality of metal and transform these natural patterns into tangible forms. I also enjoy experimenting with digital tools, integrating them into my process to expand the possibilities of my craft.
Through my work, I deepen my connection to nature and share my growing understanding of the delicate relationships that sustain life. My hope is that my pieces reflect a deep respect for the environment and inspire a commitment to its preservation.
STATEMENT
ABOUT US
BIO
Immigrating to lutruwita/Tasmania in 2001, Nataša Milenović, a German-trained goldsmith, seamlessly integrates environmental consciousness into her craft.
Inspired by convergent patterns of evolution and symbiotic relationships, she employs traditional techniques such as cold forging and hand fabrication, while incorporating contemporary fold-forming methods. Through her exploration of materials and the use of patinas, she conveys themes of transformation and ephemerality.
Nataša’s work has been recognised with funding from the Duisburg Gesellschaft, Regional Arts Tasmania, and the Australia Council for the Arts, and has been showcased in solo and group exhibitions across the country. A finalist in several awards, she expanded her global reach in 2023 by presenting at the Contemporania Art Fair in Barcelona.
In 2024, she created a new body of work for a duo exhibition with Regine Schwarzer at Radiant Pavilion, further demonstrating her dedication to craftsmanship, nature, and artistic expression, while pursuing her ambition to create larger-scale works.
CV
Goldsmith
Born: 1977 in Erlangen, Germany
Studio practice since 2001 in lutruwita/Tasmania, Australia
EDUCATION & LEARNING
1994-1995: Werkbund Werkstatt, Nürnberg, DE
1995-1999: Apprenticeship as Goldsmith with Gerhard Eiblmeir (trained under Hermann Jünger), Lenggries, DE
1997-1998: Mokume Gane, Niello,
Engraving Courses, Ahlen, DE
2000: Opal Cutting, Onkaparinga Institute, Adelaide
2000: Internship with Regine Schwarzer, Adelaide
2008: Masterclass with Karl Fritsch and Lisa Walker, Hobart
2023: Silversmithing course with Gretal Ferguson, Adelaide
GRANTS
2024: Regional Arts Tasmania
2005: Australia Council for the Arts
2004: Derwent Valley Regional Arts, Tasmania
2004: Contemporary Art Services Tasmania (CAST), Hobart
2000: Karl Duisberg Gesellschaft, DE
AWARDS/ FINALIST
2024: Women’s Arts Prize Tasmania (Finalist)
2022: Tidal (Finalist), Devonport City Council, TAS
2008: Tasmanian Craft Fair, best stall, Deloraine, TAS
RESIDENCIES
2018: Cradle Mountain
2008: Flinders Island
SOLO EXHIBITIONS
2004: Junk Jewellery (State Travelling Exhibition), Tasmania
2006: Hidden, Handmark Gallery, Hobart & metalab, Sydney
GROUP EXHIBITIONS
2025: Walking Distance: Feminine Perspective of Landscape,
curated by Shannon Garson, Fieldtrip Gallery, Brisbane
2024-25: An Island Summer Show, Wild Island Gallery, Hobart
2024: SEEDS: A Cross-pollination in Metal with Regine Schwarzer,
Radiant Pavilion, Melbourne
2023: CONTEMPORANIA, Barcelona, ES
2023: Beneath the Surface, IMAS, Hobart
2022: Bijouterie, Artosauros, Hobart
2022: Flow, Huon Valley Council & City of Launceston, TAS
2017-2018: Out of Nowhere, Cradle Mountain, TAS
2016 & 2017: Art From Trash, Hobart
2003 & 2004: Young Designers Month, curated by Pippa Dickson, Hobart
COMMISSIONS
2003: Glenorchy City Council, TAS
PUBLICATIONS
2020: Huon Beings - Artists of the Huon Valley, Huon Valley Council
2022: Flow, Huon Valley Council
2009: Mercedes Benz Magazine, pg
AFFILIATIONS
Craft Victoria
JMGA NSW
Designed Made Inc.
